AI Porn Video Generator
Text-to-video and image-to-video that begin from your portraits. One movement per clip; price by duration and resolution, declared before you confirm.
Motion, granted by appointment only
Motion is the most expensive favour this court grants, so it is granted by appointment rather than scattered on request. The reliable order of ceremony is this: a portrait first — on character, already judged and approved — and then a single movement laid over it. Or, for a scene that exists nowhere yet, a text brief that carries the same sealed description as your portraits, word for word. Pricing follows duration and resolution, is calculated on the commission itself, and is declared in full before you confirm. A failed render returns its credits on its own.
Text-to-video has its place at court — the first experiment, the standalone scene — but series work belongs to image-to-video, because the first frame carries the lady, the gown and the chamber with it into the clip. Nothing is left for the render to invent about who she is. What remains for you to direct is only how she moves, and the court rule for movement is as strict as the rule for descriptions: one gesture, presented cleanly, outranks a whole choreography that smears.
The order of a sitting
Begin with an approved portrait
Image-to-video inherits the lady, the gown and the chamber from the first frame. It is the cheapest consistency at court, and by far the calmest.
Direct one movement only
A turn toward the candelabra light. A slow advance toward the viewer. One movement, with the camera held in place. Choreography smears; a single gesture renders clean and loops gracefully.
Render to the measure of the destination
Decide where the clip will be presented before it is rendered. A teaser and a treasury piece are different measures, and rendering the maximum of everything is how purses quietly empty.
What clips are commissioned for
Motion over a hero portrait
The finest portrait of the week, granted a few seconds of life, to draw the audience toward the full presentation.
Profile and banner loops
One clean, repeating gesture. It must read at thumbnail size and survive the compression of any platform it is presented on.
Pieces for the treasury
Longer takes, briefed from the same sealed description as the portraits they sit beside, so nothing presented feels cast twice.
Briefs that render cleanly
“She turns slowly toward the candelabra light and lowers her gaze, the sheer robe settling on her shoulder, camera still.”
One movement for the subject, none for the camera. The first frame already decided everything else, so the brief directs motion and nothing more.
“Fictional 34-year-old woman, long glossy black hair worn straight with a centre part and a thin gold diadem band, deep royal-purple satin gown, crossing a purple-draped palace chamber toward camera, warm candlelight, unhurried, cinematic.”
The sealed description travels into the clip brief unchanged, so the lady in motion is the lady of the portraits.
The cost, and how the court holds it
| Lever | Effect on price | Court practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds |
| Resolution | Higher costs more | Render at the destination measure; raise a winner later |
| Retries | Each render is a commission | Correct the brief or the first frame before rendering again |
How is video priced?
By duration and resolution, calculated on the commission and declared before you confirm. Nothing is charged in the dark, and a failed render refunds itself automatically.
Text-to-video or image-to-video?
Image-to-video for series work — the first frame carries the muse with it. Text-to-video is for standalone scenes and first experiments at court.
Can a clip match my portraits?
Yes, by two habits held together: begin from series portraits, and carry the sealed description into text briefs word for word.
Why does a clip go wrong?
Usually because too much was asked of it — several movements, a moving camera, a crowded chamber. One movement, a still camera, an ordered room: that is the pattern that holds.
Are clips public?
No. Clips rest in your account until you present or download them. Nothing is presented on your behalf.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator