The portrait generator: one sealed description, honoured across a whole series. Standard portraits at 6 credits, premium reserved for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
A court is recognised by the faces that return to it. A single fine portrait pleases for a day; the same lady, recognised at a glance across a whole season of sittings, builds the audience that stays. This generator is arranged for that longer work. The standard model renders a tall 832×1248 portrait for 6 credits. The premium model, at 41 credits, is reserved for the few portraits that will be presented largest — covers, announcements, the one image a whole pack is judged by. Between those two prices stands a single discipline, and the discipline does not bend: decide the lady once, enter her into the record, and afterwards change only the chamber she is presented in.
The instrument of the court is the sealed description. Five entries, always in the same order: her age, given as a number and always 25 or over; her hair — colour, length, and the one style she is known by; her build, in two or three plain words; one or two enduring details of her face; and her seal — the diadem band, the mole, the ring that survives any crop and any gown. Those entries are pasted at the head of every commission, exactly as sealed. Beneath them goes a single scene line: the dress, the chamber, the light. When the description is held sealed, the series holds together like a court that knows its own. When it is rewritten from memory at every sitting, she drifts — and no model, at any price, can call her back.
Five entries, in concrete words, with nothing left to taste. “Long glossy black hair worn straight with a centre part, held by a thin gold diadem band” survives a hundred sittings. “Lovely hair” is an opinion, and opinions are re-interpreted at every single one.
Commission a set in one chamber, under one light. Then move the chamber. A series is built by single, deliberate changes — never by re-rolling the commission and hoping the court approves.
Commission generously at the standard price. Keep severely. Spend amendments, presentations and upscales only on portraits that survived judgement.
A week of portraits of one lady, commissioned in a single sitting of work, so the audience is never kept waiting on inspiration.
One commanding portrait at the front of a pack, cut to the same measure and the same lady as everything presented inside it.
Stills composed to be granted motion later — room left around the subject, a direction left open. The video chamber begins where these end.
“Fictional 34-year-old woman, long glossy black hair worn straight down her back with a centre part and a thin gold diadem band, composed expression, a small gold stud in her left ear; royal-purple silk negligee with gold embroidery beneath a sheer violet peignoir worn open, reclining on a velvet chaise in a purple-draped palace boudoir, gold candelabra and heavy violet curtains behind her, warm candlelight, editorial photograph.”
Everything before the semicolon is the sealed description. It never changes. The chamber after it is the only variable admitted to the sitting.
“Fictional 34-year-old woman, long glossy black hair worn straight down her back with a centre part and a thin gold diadem band, composed expression, a small gold stud in her left ear; the same purple negligee and peignoir, standing against a plain deep-violet studio backdrop, one shaft of warm light from the right, editorial photograph.”
A plain chamber is the honest examination. If she is still herself here, the record is sound, and the whole series may proceed on it with confidence.
| Setting | Standard model | Premium model |
|---|---|---|
| Price | 6 credits | 41 credits |
| Reserved for | Series sittings, daily presentations | Covers, announcements, the portrait everyone sees first |
| Manner | Commission many, keep few | Brief slowly, commission few |
| Fault | Cause | Remedy |
|---|---|---|
| She changes between sittings | The description was rewritten from memory | Paste the sealed words, every time; vary only the scene line |
| The portrait feels crowded | Too many objects, too many actions | One chamber, one pose, one source of light |
| Hands and small ornaments break | Hands asked to hold fine detail | Rest the hands, or crop the portrait at the waist |
Yes. Joining the court costs nothing, and the daily check-in grants 6 credits — the exact price of one standard portrait. One portrait a day, on the house, for as long as you return to claim it. Packs wait in the treasury for the days when one portrait is not enough.
The standard model costs 6 credits a portrait, declared before you confirm. The premium model costs 41 credits and is reserved for covers and announcements, not for volume.
Seal her description once — age, hair, build, face, and her seal — and paste it unchanged at the head of every commission. Change only the gown, the chamber and the light.
No. Portraits rest private in your account. Only what you deliberately present appears in the gallery, and withdrawing a presentation is immediate.
A tall 832×1248 portrait frame, ready for presentation. When a destination decrees a larger measure, the image upscaler is the finishing office.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator