AI Video Upscaler
Finishing-office video upscaling for paid tiers and masters. Priced by duration and target resolution, declared before you confirm.
The final office, for clips
The video upscaler takes a finished clip to a higher resolution, rebuilding detail frame by frame, so work commissioned at a working size can meet the measure decreed by a storefront or a large placement. It runs on the video_upscaler model, priced by duration and target resolution — the figure is declared on the commission before you confirm, and failure returns the credits on its own. Like its still counterpart, it is the end of the process at this court, never a rescue attempted at the beginning.
Video raising is the most expensive finishing step in the building, because every second is many frames and every frame is rebuilt. The court therefore applies it by decree, not by habit: the cut is locked, the casting is final, the grade is approved — and only then is the clip raised, once, to the exact measure of the place it will be presented.
The order of raising
Lock the cut first
Casting, cuts and grade are final at working resolution, where changing your mind is still inexpensive.
Raise once, to the decreed measure
Aim at the destination’s actual requirement. Beyond it lies cost without visibility, and this court does not purchase invisibility.
Examine at full size, throughout
Faces and the edges of motion, across the whole clip — especially at turns and at changes of light, where weakness presents itself first.
When the office earns its price
Paid tiers, honestly labelled
A placement that advertises high definition receives a file that honestly meets the word.
A clip that outgrew its size
A teaser performing beyond the rest of the catalogue earns a presentation pass for larger placements.
One master, kept in the record
A high-resolution master of the flagship scenes, kept while the working catalogue stays lean.
The cost, and its levers
| Lever | Effect | Court practice |
|---|---|---|
| Duration | Longer clips cost more | Raise the presented cut, never the rushes |
| Target resolution | Higher costs more | Match the placement’s decreed measure exactly |
| Timing | The price is the same whenever it runs | Run it last, when nothing else will change |
Two decrees, examined
A locked, graded flagship clip raised once to the storefront’s high-definition measure, then examined at full size at its turns and light changes.
The tier advertises a measure, and the file honestly meets it. That honesty is what this finishing office is for.
A short feed teaser, performing well at working size, presented for raising because a larger file feels more serious.
Feelings are not a decree. At feed size the raising is invisible; keep the credits for the clip a destination actually measures.
How is video upscaling priced?
By duration and target resolution on the video_upscaler model, declared before you confirm. Failed commissions refund automatically.
Can it rescue a poor clip?
No. It raises resolution. It does not raise the quality of a performance, a casting or a light. Those are settled earlier, at working size.
Should every clip be upscaled?
No. Teasers and ordinary feed clips rarely repay it. Reserve it for paid tiers, for winners, and for masters.
Does it replace the original clip?
No. It produces a presentation version that rests beside the working file in your account.
What should be examined afterwards?
Faces and motion edges at full size, across the whole clip — at turns and changes of light above all.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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